Posts Tagged ‘Repertoire’

Fall 2011 Update — v2.9.4

Wednesday, August 31st, 2011

Open up Velvet Singer today and you will find a new update which is the result of a few months of exciting work, responding to so many brilliant ideas from you!

Now Even More Repertoire!

Thanks to our fantastic research team, we have added over 200 new operatic works to the aria database, including over 1800 brand new opera roles!

You can immediately pick from these new roles simply by navigating to the Repertoire module and clicking “New Record.”

And more repertoire is on its way!

Trends Email Report After Each Session

New to version 2.4.2, when you close Velvet Singer, the system will ask if you would like to email your trends report.

The report includes a summary of your session (how many records were added in each table as well as showing how your data is trending. For example: are you singing more auditions per month, meeting more people, doing more coachings, making more money?

Calendar Rapid Data Entry Screen

Now you can save time when entering your rehearsal schedules using the new “Add Multiple Events” feature. This form is set to automatically trigger to make data entry as fast as possible.

Repertoire Multi-Picker

Now when you pick repertoire to add, you can select multiple at once. Also, we improved the look of this layout so that you can find what you are looking for even quicker. It will now also highlight repertoire that is already in your list.

Backup Location

Want to backup your most important career data to a remote drive or hosted server? Now it is easier than ever.

In addition to the regular backups to the Velvet Singer/Backups/ folder, you can also automatically set your system to backup to another location. This can include a mapped drive or a Dropbox folder.

In this example, I backup my file to a local Dropbox folder. When Dropbox sees the new file, it automatically begins uploading the file to their servers “quietly” in the background while I go about my day. Pretty slick!

Professional References Quick Report

Upon request from one of our customers, we created a new branded report which is perfect for sending along with your applications.

The top area is triggered by our “branded” settings so you can pick your own font or chose your own logo. The report will automatically include any professional contacts flagged with the new “References” type.

Any other great ideas? Send them along and we will make them come to life.

IMAP Email Folders Now Sync

Another fantastic customer request is the ability to sync multiple email folders using the IMAP Protocol. Done and done!

Now from the Main Menu / Settings / Email Settings you can easily change over to IMAP. Once you do, you can click “Sync Folder List” to bring in your list of Email folders and decide which folders you want to check.

Resume Tips, Techniques and Templates

Thursday, June 9th, 2011

Download our Resume Template DOC or Email me your resume and I will reply with some feedback, totally for free! Take it or leave it. No conditions or expectations for follow-up whatsoever.

Think of that! You are just about five or six clicks away from gaining insights into how you can improve your formatting, style, look and branding and how you can improve the overall messaging and positioning of who you are and where you would like to go.

I absolutely love connecting with singers in this way. Resumes can reveal a lot about people and are often the source of great stress. Therefore they represent a large opportunity for setting a new course. Let Velvet Singer take out some of the stress. All you have to do is invite us in. Email me your resume right now, before you forget!

Thank you, Stacey Sands, Soprano from Cincinnati, Ohio. Great resume!

Resume Template

Download these Velvet Singer resume template files and you can see first-hand a very simple, clear and straight-forward way of presenting yourself.

Notice that I named the files the name and fach of the performer, “James Testdata Baritone.” You should always do the same when you email your resume. Think of the computer that it will wind up on — if your file is called “Opera Resume” or something generic like that, it may get be harder for your recipient to keep organized.

One Page, One Page, One Page

Your resume can only be one page long. Yo-Yo Ma’s resume is only one page long, Jack Bauer’s resume is only one page long, Ghandi’s resume was only one page long.

If you want to list repertoire that you know, a bio or other supporting material, those can become separate documents. Use the exact same header: giant name, large fach, photo and contact information.

Name The File Your Name

Name your files with the name and fach of the performer. This is your brand, your handle, your marquee. Coke wouldn’t email out an add campaign that was labeled “Ad Campaign” — it would say “Coca-Cola,” right?

Email PDFs not Word DOCs

Portable Document Format is the only way to email attachments. PDFs render essentially the same on any computer. If you email a Word DOC, then your resume may come out completely garbled. Ask anyone who listens to auditions — a good percentage of resumes they are looking at are junked up by computer printing / formatting. Margins are off, words wrap wrong, gaps are no longer.

For more information on how to Print to PDF, read my blog post here.

Middle Names: Only If You Really Need It

Do some thinking about whether your brand name should include your middle name. Shorter is better 90% of the time.

Rule of Thumb: If you do not list your middle name or initial in a concert program, then consider leaving it off of your resume.

If you have a very generic name (Jim Johnson) or a name that is similar to someone famous (Bard Simpson) then I can see the logic to consistently branding with your middle name. It needs to be unique. But if your first and last names are very unique (Naphtali O’Reilly) then we don’t need the extra clarification.

Last point: your name on your resume does not need to be exactly what is on your driver’s license. A resume is essentially an advertising piece, not a government form.

Name Size: As Big As Your Ego Can Stand

Seriously, bigger. It is your brand. Look at a Coke ad driving down the highway. COKE! Most people that hear you are driving down a proverbial highway of stress and deadlines and schedules. Make it easy on them.

Your name should take up about two thirds of the width of the page, and your fach should be likewise. I used Times New Roman size 54 in my mockup for James Testdata.

White Space = Your Friend

If you want something to look good, add more white space. Don’t be shy if you feel you have too few things to list on your resume. That probably just means that your resume can end up looking really slick. Space things out, add white space. It will look professional and well put together and that tells the panel what they really need to know about you: are you going to work hard, be a good colleague and present things well. Experience (in most cases) is secondary.

Vertical Alignment: Mas Importante

Our eye should see two nice lines down the left and right margins of your resume. Typically I see that right margin clean line broken by dates:

Wrong
2011
2011
2010
2009-10
2010
2009
2009
Right
2011
2011
2010
2009-2010
2010
2009
2009

Instead, right-justify the list of years to preserve the vertical alignment. Do you see how that is more pleasing to the eye?

Also, try wherever possible to reconcile columns of text throughout the document. If your Opera section is four columns wide, try to make your Concert section four columns and snap them to the same width. This is the artistry. Good luck.

Clear Tables: Better Than Tabs or Columns

In an effort to preserve vertical alignment, use tables in MS Word, rather than using Tabs or Columns.

The information in your resume is dynamic, not static. In other words, design a resume that is ready to change and shift around easily. If you have used tabs and spaces, then you may have a lot of work to do when you get each new gig and have to adjust spacing.

That is why Tables rule. You can drag the column width as you like and snap the widths to line up with things above or below. Really smooth.

See the resume template to get started with tables:

Insert a table and change the black lines to clear:

Enter your text and you are good to go:

Photo: Yes, and Zoomed In

To Photo or not to Photo, that is the question. Answer: yes. Greyscale (ie. black and white) and cropped really right. Don’t have a bunch of dark or colorful background as this will kill your ink (and that of anyone else printing out your resume).

This gives you an opportunity to present a different “look” and gives your panelists one more opportunity to place your face with your name.

Colored Text and Lines: Sparingly If At All

If you are an expert designer, have fun with colors and extra lines all you would like. For those of us mortals, I would steer clear or be sure to pass them by a friend or two for review. Colors print differently from different computers and they can distract from your message: namely, that you are solid, reliable and well put-together.

They can also be a very nice personalized touch when done well. Just know that you are trying to execute a skill that has a higher degree of difficulty.

Email Blue Underlined Hyperlinks: So Annoying

MS Word auto-formats your email address and website URL to blue underlined hyperlinks when you hit the return key or space bar. Remove these links by selecting Edit / Undo Auto-Format from the top menu. That will return the text color to black without any underline.

Composers: Only For Uncommon Compositions

No need to include Mozart when listing The Magic Flute. Less is more. White space is gold.

Professional Contacts Section: Two Options

There seem to be two really solid options on how to handle lists of professional contacts and skills: vertical or horizontal comma-separated. I somewhat prefer the horizontal because it the length of names vary so much. And as a footer, it doesn’t break up the vertical alignment so it is not a problem.

I included both options in the Resume Template files.

Footnotes: Use Them

Rather than writing out the words scenes, cover, current teacher, partial performance, English, or outreach consider using a footer and a symbol such as these:

See the Resume Template files to copy the symbols.

Fonts: One Font Throughout, With Serifs

Pick a font, any font… and stick with it. You can bold it, italics, big, small, whatever. But don’t use multiple fonts.

Resumes should almost always use a font with Serifs, especially in the performing arts. Serif fonts have little curly ends to them and make things much easier to read when printed out. Sans-Serifs generally work better for computer screens (websites, email campaigns, etc.).

In typography, serifs are semi-structural details on the ends of some of the strokes that make up letters and symbols. A typeface with serifs is called a serif typeface (or seriffed typeface). A typeface without serifs is called sans serif or sans-serif, from the French sans, meaning “without”.

Read more about Serif Fonts on Wikipedia.

These are some of the more common fonts with Serifs that may work well on your resume:

  • Baskerville
  • Book Antiqua
  • Bookman
  • Calisto
  • Cambria
  • Century Schoolbook
  • Garamond
  • Georgia
  • Goudy
  • Lucida Bright
  • Modern
  • Palatino
  • Perpetua
  • Times
  • Times New Roman

Font Size: Not Too Small

If you can’t fit things in font size 12 (or possibly 11 for some font types), consider cutting things from the list rather than bumping down the font size. Save an archived copy of your old resume before you cut things out (you may need to remember that old gig from 2005 at some point), but cut, cut, cut.

This is one of the hardest steps for most people, knowing what to cut and making the call. That is where the artistry comes in, but you have to do it. Less is so often more. Again consider how few words are on a Coke billboard. Giving your “audience” clarity is much more important than providing an exhaustive list.

Accuracy and Honesty: Yes, But We Don’t Need A Blood Sample

TMI = Too much information.

I find this the most often with upcoming performances, upcoming school work, competition descriptions and side-stage or cover performances. Search for an accurate and honest, yet and elegant and understated way of communicating the truth.

For example, if you received the “Susan Q. Quackenbush Audience Choice award for best Puccini by a junior undergraduate woman in the Great Lakes district,” find a way to simplify and give props to Susan only if you can. “Winner: district audience choice.”

You may propose a rebuttal such as: “Yeah, but I wasn’t the only audience choice winner and I wasn’t a finalist and Susan’s kids were there to give the prize money …” Simpler is better. You should not feel the burden to spell out every detail. This is your resume, and anyone can ask for clarification if they need it.

Be Bold, Remove Underlines

My graphic and visual designer friends tell me that they don’t like underlines much at all, because underlines often break through letters, especially those that hang down below the line such as “y,” “j,” “p” and “g.” Underlines therefore can make your resume harder to read.

If you need to add emphasis, consider using Bold.

Typos and Accents

Offer your friend $1 for every typo they can find on your resume. It will be worth it.

Another suggestion: Google every single item on your resume. If you list Cosi, Google it to see how the Met handles the accent and to see how your character’s name is spelled. Definitely Google every single professional contact on your resume. Those are very easy to miss.

I often see accents missing, going the wrong way, or improper capitalization in these shows:

  • Così fan tutte
  • La Bohème
  • L’Elisir d’Amore — Often the “D” is cap with a small “a”
  • Hänsel und Gretel — If you use “und” then you need “ä”, otherwise just use “and”
  • Roméo et Juliette — If you use “et” then you need “é”, otherwise just use “and”

Feedback For Me

If you have read this far, please let me know what you think by shooting me an Email or by leaving a comment on this blog post. Resumes are more art than science and I would love having your help in refining my game!

Your Future: Trending Up

Thursday, June 2nd, 2011

“If you build it, they will come” was the mantra in the 1989 baseball classic, Field of Dreams staring the incomparable Kevin Costner. Finest actor of our day, IMHO.

Well, our mantra at Velvet Singer is that “If you can see it, you can improve it.” Say it with me — “If you can SEE it, you can IMPROVE it.” That is the truth.

Do you believe that? Do you believe that one of the barriers between you and success is simply clarity and understanding?

Automatic Trends Email

I am so excited about this new feature that I built earlier this week that I am not even waiting until it is released before announcing it. Because we overhauled the Trends module in the last update (v2.9.2) it is was a simple step to add an automatic email report.

Now whenever you log out of Velvet Singer, you will get a clean and clear snapshot of where you stand and where you are headed:

  • Are you performing more often?
  • Are you making more money?
  • Are you learning new arias?
  • Are you singing more lessons?
  • Are you faithfully journaling?
  • Are you networking more regularly?

And so you will have clarity on where you stand and can spur yourself along to greatness.

Need accountability? No problem! Because the report will be a nicely formatted HTML email, you can forward it along to your teacher, friends, family or supporters to involve them in your journey.

Look for this and much more in the next release!


Here is what the full Email report looks like:


Velvet Singer

www.velvetsinger.com

James Testdata

lyric baritone

 
Session Update

as of 6/1/2011 10:12:28 AM

Summary

During this session, I added records to the following tables:

Journal

673 total

10 new entries

Auditions

274 total

1 new audition

Contacts

274 total

5 new contacts

Repertoire

114 total

1 new record

Finances

283 total

6 new transactions

Email

633 total

No new emails

Projects

61 total

No new projects

Events

739 total

21 new events

 

 
 
Trends Update

Journal

Trending

Average

Journal Line Items

Up ↑

150 journal line items per season.

1346 journal line items in 9 seasons.

16 journal line items per month.

673 journal line items in 42 months.

Journal Forms

Down ↓

31 journal form entries per season.

153 journal form entries in 5 seasons.

4 journal form entries per month.

162 journal form entries in 42 months.

 

Audition

Trending

Average

All Auditions

Up ↑

39 auditions researched per season.

274 auditions in 7 seasons.

All Sent Applications

Down ↓

19 applications sent per season.

134 applications in 7 seasons.

2 applications sent per month.

134 applications in 70 months.

All Sung Auditions

Up ↑

9 auditions sung per season.

54 auditions in 6 seasons.

 

Contact

Trending

Average

New Colleague / Peer

Up ↑

22 new colleagues entered per calendar year.

112 new colleagues in 5 calendar years.

All New Contacts

Down ↓

55 new contacts entered per calendar year.

274 new contacts in 5 calendar years.

5 new contacts entered per month.

274 new contacts in 51 months.

New VIP Contact

Up ↑

11 new important contacts entered per calendar year.

55 new important contacts in 5 calendar years.

 

Repertoire

Trending

Average

Solo Repertoire

Up ↑

6 audition selections learned per season.

37 audition selections in 6 seasons.

Role / Work

Down ↓

5 roles learned per season.

21 roles in 4 seasons.

 

Finance

Trending

Average

Income

Up ↑

$13,924 in income per calendar year.

$55,698 in income over 4 calendar years.

$1,547 in income per month.

$55,698 in income over 36 months.

Profit

Up ↑

$11,732 in profit per calendar year.

$46,928 in profit over 4 calendar years.

$1,311 in profit per month.

$46,928 in profit over 36 months.

Expense

Down ↓

$2,192 in expense per calendar year.

$8,769 in expense over 4 calendar years.

$230 in expense per month.

$8,769 in expense over 38 months.

 

Project

Trending

Average

All Projects

Up ↑

14 projects added per season.

56 projects in 4 seasons.

 

Event

Trending

Average

All Events

Up ↑

106 events totaling 198 hours per season.

739 events totaling 1384 hours in 7 seasons.

12 events totaling 22 hours per month.

739 events totaling 1384 hours in 64 months.

Voice Lesson

Up ↑

1 voice lesson totaling 1 hour per month.

33 voice lessons totaling 30 hours in 38 months.

Performance

Down ↓

27 performances totaling 76 hours per season.

109 performances totaling 304 hours in 4 seasons.

Voice Lesson

Up ↑

8 voice lessons totaling 7 hours per season.

33 voice lessons totaling 30 hours in 4 seasons.

Coaching

Down ↓

21 coachings totaling 20 hours per season.

83 coachings totaling 80 hours in 4 seasons.

2 coachings totaling 2 hours per month.

83 coachings totaling 80 hours in 37 months.

Practice / Vocalizing

Up ↑

7 practice sessions totaling 8 hours per season.

29 practice sessions totaling 32 hours in 4 seasons.

1 practice session totaling 1 hour per month.

29 practice sessions totaling 32 hours in 35 months.

Teaching

Down ↓

1 lesson taught totaling 1 hour per calendar year.

4 lessons totaling 4 hours in 3 calendar years.

0 lessons taught totaling 0 hour per month.

4 lessons totaling 4 hours in 26 months.

 

©2011 Velvet Singer, LLC. Chicago, IL 60640
www.velvetsinger.com
All rights reserved.


Importing Repertoire from Excel

Thursday, May 26th, 2011

Have you worked hard on maintaining your lists of repertoire in electronic format and now you want to bring those in to Velvet Singer?

It is simple:

    1. Go to Repertoire module
    2. File menu / Import Records / File…
    3. Select an Excel file to import
    4. Match the fields
    5. Check “perform auto-enter”

I absolutely love that people are thinking about this. That means that they really get how powerful it is to have everything gathered together in one spot, and want to come up with cool ways to make it all as easy as possible.

If you would like, you can download and use this Repertoire Import Excel Template that I whipped up. It has five columns of data: Title, Work, Role, Composer and Language. You can also create or modify your own Excel to contain that basic information.

The Details

Here are some more details for those that would like to play at home:

1. Go to Repertoire module

You will be importing data into the Repertoire module, so it is imperative that you navigate to any Repertoire layout before triggering the import. It will become obvious as you get to the field matching screen if your target is anything other than Repertoire.

You can import into the Detail or the List Repertoire layout, there is no difference.

2. File menu / Import Records / File…

From the menu drop down, select to import records from a File. You’ll notice that you can actually import from a variety of sources. Another popular option is the tab-delimited source. That works just fine too.

3. Select an Excel file to import

Of course, before you import the Excel file with your data, you may want to do a little clean up work. For example, Composers in VS are only last name (except in the case of duplicate last names such as J. Strauss). Also, you may not have inputted information into all five suggested fields (Title, Work, Role, Composer, Language), such as the Language field. In this case, you can either do data entry in Excel before the import or in VS after the import. Whichever you prefer.

Download the Excel Template.

4. Match the fields

There are a variety of ways that you can match the fields in the source (Excel) to those of the destination (VS). If you have your columns labeled in Excel exactly matching the field names in VS, then you can first:

    a) check the box “Don’t import first record (contains field names),” then
    b) arrange by Matching Fields.

Otherwise, you can manually align the data on the left with the fields on the right. Do not worry about leaving fields blank, especially such as field names that you do not recognize such as z_recCreateAccountName. These are developer fields and will fill in automatically.

5. Check “perform auto-enter”

Important: You must check this box as you click Import. The system will assign each of the new Repertoire records a unique ID. Without this ID, your Repertoire will not be able to “relate” to other data such as your Journal or Auditions. They would be entirely anti-social, which is not the spirit of Velvet!

Lastly, you will want to scroll through each record and manually input the Category and Type within Velvet Singer.

Thank you for your curiosity and enthusiasm for this feature!

Classical Singer Magazine, May 2011

Wednesday, May 11th, 2011

The Tech-Savvy Singer

The Velvet Business Plan

BY AMANDA WHITE

Keeping track of the small details of your career is a challenge for every singer. And yet, having and sorting that information could be critical to your success as a singer. Find out why it’s so important and read about a new tool that is making it easier than ever.

Everyone tells you that you need to write a business plan. But how many singers have actually done it? Well, if you’re attending this year’s Classical Singer Convention, now’s your chance. Bill Bennett, creator of Velvet Singer, a software program that helps singers organize their professional lives, will be conducting a workshop on creating a business plan. Here he talks about his software and why, yes, you actually do need to write that business plan.

What’s Velvet Singer?

Velvet Singer is an organizational tool for classical singers that I developed while I was finishing up grad school at DePaul and doing some part-time consulting work. I began by creating a simple database to track my auditions and just added from there. Then I began expanding as I found the need: What repertoire was I singing at auditions? How much was I spending? Who was I meeting? So it was born out of necessity. There was no way to keep track of this information other than developing big Excel sheets or lugging around a pen and paper.

So what, exactly, does the software consist of?

Well, it is a relational database application—it is like layers of spreadsheets carefully interconnected and ready made. What is powerful about a database is that you can quickly jump around and tally up data: How much did I spend last year? How many auditions did I perform? What is my most successful starting aria? But I find that the “softer” features are still the ones people write to me the most about: journaling after auditions and lessons, developing a new process, and having that accountability to keep after your goals and stay organized. That is what represents a major breakthrough for people in using Velvet Singer.

How does Velvet Singer differ from what’s already available on YAP Tracker?

I use YAP Tracker and have for years. I love the features and am impressed with how they continue to roll out excellent tools to help our business evolve. I primarily use YAP Tracker as a way to look up information. Along with Classical Singer and a few other resources, YAP Tracker is an excellent way to learn about auditions and competitions. Velvet Singer solves an entirely different problem area for singers: staying organized in all that we do.

Velvet Singer helps you organize and keep track of productions in which you perform, money that you make, people that you work with, repertoire that you are working on, lessons that you sing. And so Velvet Singer is a comprehensive journaling method of chronicling your entire professional journey, almost like developing a memoir—but a powerful, data-driven memoir with hundreds of statistical reports, tax information, and over 2,600 arias to pick from. Velvet Singer is a new category of product. My main competition is people working up several Excel spreadsheets or using good, old-fashioned pen and paper.

Do you find people get overwhelmed with so many features or do they take to it easily?

Developing a workflow and interface is more of an art than a science. An iPhone does so many different things. If you dig into the settings, you can really get through layers and layers of functions. But it is simple and clean. Velvet Singer is cross-platform (Windows or Mac), but it has a nice, colorful, Mac-like feel. I am grateful to have such a great team to help continually refine what and how we present data. So I find that singers, even singers who are not comfortable with technology, take to it quite well.

The software begins by asking a few simple questions, like “What is your voice type?” From there, users quickly set up some repertoire by picking from our list of arias. After you develop repertoire, the system asks if you have sung any productions in the past. Productions become “Projects” in Velvet Singer, and each project has people you worked with, repertoire you performed, money you made (or spent).

As users explore, they can peel back the layers. If you explore into the lessons and coachings area, you will be prompted to sync with your Google calendar. If you are liking some of the reports and want to share them with your friends, teachers, or parents, the system will ask to set up your e-mail account. So Velvet Singer becomes much more than a static tool waiting for you; it is interactive and helps you along the way.

At the convention, you’re going to be teaching a workshop on building business plans. Teachers and mentors have been telling singers to write business plans at least since I was in college [ahem] years ago, but I’m not sure anybody actually does it.

That is it exactly! Yes, I was told to do it, but never did.

I offer two seminars at schools and opera companies around the country, and they both are working, equipping, hands-on sessions. I studied engineering as an undergrad before pursuing singing for my masters. In engineering, we always had “labs” to correspond to almost every lecture. I follow that same formula in my seminars. Each singer creates a business plan in the session and leaves with a tangible, actionable process for keeping up with it going forward.

Do you actually know any top-level singers who literally have business plans? Or do you think their managers make them?

I certainly do, and many cite business planning activities as core to their success. Top-level singers are typically very busy people and they are very targeted about which business plan articles or exercises they focus on, and these areas naturally are different than would be for singers at other parts of the journey.

For example, a top-level singer may do more work developing a strategic marketing plan by analyzing that market and comparing it to their product. An undergrad may benefit more from doing a strengths-and-weaknesses assessment. The question I ask is “What problem are we trying to solve by doing the work of creating a business plan?” That can be a good way to focus your energy and make sure you are getting the value you seek. Simply, business plans are a way to organize your thoughts, discover new information, and communicate with others.

The philosophy and approach behind Velvet Singer Software and Velvet Singer Seminars are quite similar. They are both solutions that help singers take control and gain objectivity and insight. It was out of the process of developing the software and working with so many singers to define what this all-in-one organizational tool should keep track of, and how it should do it, that I discovered the need to create these seminars and to teach this “process.”

In the seminar, we use a workbook that has many checklists, simple comparison choices, and fill-in-the-blanks. The workbook is a simple, quick, and “push button” framework to give structure to our dialogue. Likewise, the software solution offers simple choices and prepopulated picklists. Our mission is to take what can be a very intimidating process and deliver this message loud and clear: “This doesn’t have to be difficult!”

If you had to boil it down—say, for the people who can’t make the seminar—what would be the three questions a singer should ask themselves, as a proto-business plan?

Rather than trying to tackle a list of business planning areas (even three can represent a serious “barrier to entry”), I would encourage singers to begin by focusing on a process: when, why, and with whom. Choose a process that has a low burden and then make an absolute steadfast commitment to stick with it (100 percent is much easier to maintain than 98 perfect).
For example, resolve to send an e-mail on the first of every month to your dad describing your goal for the next month. Or add quarterly reminders into your calendar that you will treat yourself to coffee and work on your mission statement. Or commit to interviewing six of your “stakeholders” about your strengths and weaknesses. In engineering, we call this an incremental and iterative approach and it absolutely works if you work it.

What do you hope singers take away from your seminar at the convention?

In addition to physically taking away their completed business plan workbook, singers will leave the session with a dramatically improved sense of self-awareness and empowerment over their path.

Amanda White is a coloratura soprano in New York. She can be contacted through her website at www.notjustanotherprettyvoice.com.

Featured in Classical Singer Magazine

Wednesday, May 11th, 2011

Crack open your May 2011 edition of Classical Singer Magazine (the one with Jane Eaglen on the cover) and you will find this fantastic article on Page 18.

Thank you to Sara Thomas, Jo Isom and Amanda White for their fine work to make this happen. I am so proud that they reached out to us and took notice of the impact we have been making!

In the article, we explore the newest features of Velvet Singer Software, what need it fills and how it is different than other products and services. We also talk a bit about Velvet Singer Seminars including our newest seminar: How to Sustain a Well-Tuned Business Plan.